Rock has changed through the decades. Muse have changed over the last decade plus. When I first discovered them they were the headbanging band standing on the table in the “Time is Running Out” video. It could be said I learned how to headbang watching bassist Chris Wolstenholme playing the opening bassline to “Hysteria”.
This tour gave me access to fanboy excessively due to the stage setup that extended out into the pit area. As #Wolstenbeast ripped into that opening riff, I was transported back to being a 17-year-old kid.
Over the years I’ve grown frustrated with the bands’ insistence on providing America audiences with decidedly shorter and more pop-heavy sets than their European counterparts. Songs like “Micro Cuts”, “Assassin” and “Butterflies and Hurricanes” are routinely rotated overseas while American audiences are lucky to be thrown a bone and receive “Bliss” which lead singer/guitarist Matt Bellamy joked on Tuesday night, “a few of you might know.”
Having said all that, I had an excellent time. The first half of the set had my jaw constantly dropped as the band joyfully ripped through songs from a large portion of their catalogue. “Map of the Problematique” is always wonderful live, “Bliss” was bliss and “The Handler” is quickly becoming a great standard, and it’s visually impressive as well, with the band performing in front of giant hands pulling their puppet strings.
The second half slipped a bit with a cover of The Cramps “New Kind of Kick” for which Bellamy was absent, and the combination of “Starlight” and “Madness” which just seem droll by comparison. Luckily, “Mercy” and “The Globalist” work well to end the main set, with the former stunning the crowd with massive amounts of confetti and the later with on-stage visuals.
Before Muse took to the stage, Thirty Seconds to Mars played a brief set that lead singer, Jared Leto, noted was just a warm up for an album to be released in 2017 and a tour to follow. As 105.7 the Point’s Donald Fandango noted, St. Louis LOVES this band. They’ve been selling out shows The Pageant since they released A Beautiful Lie in August of 2005.
Unfortunately they didn’t have any new songs to play, which was disappointing, but as usual, Leto and co. more than made up for it with charisma and crowd interaction. Not only was there a proposal, Leto brought three crowd members onstage to judge which side of the crowd was more passionate, and as usual, the band brought up dozens of fans for the set-ending “Closer to the Edge”.
Show openers PVRIS also got the crowd going with an energetic set. New single, “Heaven” was well received, but it was “You and I” and “My House” off the bands’ debut album White Noise that got the crowd jumping and ready for what would be an excellent evening.