MUSE/ Thirty Seconds to Mars | 6.13.17

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Rock has changed through the decades. Muse have changed over the last decade plus. When I first discovered them they were the headbanging band standing on the table in the “Time is Running Out” video. It could be said I learned how to headbang watching bassist Chris Wolstenholme playing the opening bassline to “Hysteria”.

This tour gave me access to fanboy excessively due to the stage setup that extended out into the pit area. As #Wolstenbeast ripped into that opening riff, I was transported back to being a 17-year-old kid.

Over the years I’ve grown frustrated with the bands’ insistence on providing America audiences with decidedly shorter and more pop-heavy sets than their European counterparts. Songs like “Micro Cuts”, “Assassin” and “Butterflies and Hurricanes” are routinely rotated overseas while American audiences are lucky to be thrown a bone and receive “Bliss” which lead singer/guitarist Matt Bellamy joked on Tuesday night, “a few of you might know.”

 

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“The Handler”

 

Having said all that, I had an excellent time. The first half of the set had my jaw constantly dropped as the band joyfully ripped through songs from a large portion of their catalogue. “Map of the Problematique” is always wonderful live, “Bliss” was bliss and “The Handler” is quickly becoming a great standard, and it’s visually impressive as well, with the band performing in front of giant hands pulling their puppet strings.

19149471_10154492985031976_1360083490405112541_nThe second half slipped a bit with a cover of The Cramps “New Kind of Kick” for which Bellamy was absent, and the combination of “Starlight” and “Madness” which just seem droll by comparison. Luckily, “Mercy” and “The Globalist” work well to end the main set, with the former stunning the crowd with massive amounts of confetti and the later with on-stage visuals.

 

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Leto rocking a look he described as “Stone Cold Steve Austin mixed with someone’s Grandma”

 

Before Muse took to the stage, Thirty Seconds to Mars played a brief set that lead singer, Jared Leto, noted was just a warm up for an album to be released in 2017 and a tour to follow. As 105.7 the Point’s Donald Fandango noted, St. Louis LOVES this band. They’ve been selling out shows  The Pageant since they released A Beautiful Lie in August of 2005.

19148998_10154492984506976_356228607502370355_nUnfortunately they didn’t have any new songs to play, which was disappointing, but as usual, Leto and co. more than made up for it with charisma and crowd interaction. Not only was there a proposal, Leto brought three crowd members onstage to judge which side of the crowd was more passionate, and as usual, the band brought up dozens of fans for the set-ending “Closer to the Edge”.

Show openers PVRIS also got the crowd going with an energetic set. New single, “Heaven” was well received, but it was “You and I” and “My House” off the bands’ debut album White Noise that got the crowd jumping and ready for what would be an excellent evening.

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The Glorious Return of Gorillaz

Just in time for the inauguration of President Donald J. Trump (I feel nauseous just typing that) comes a track for the times via Damon Albarn and his band of cartoon co-conspirators known as Gorillaz. English artist/poet Benjamin Clementine comes along for a scary ride into the true religion of America, the almighty Dollar. Hopefully more details of a new album aren’t far off. Enjoy!

My Top Live Acts of 2016 (and what i’m looking forward to in 2017)

2016 may have been the most depressing of my life (29 years). When it came to live music however, it was one of my best. It featured TWO shows at Red Rocks Amphitheater in Colorado, a Beatle,  two Cage the Elephant shows and an exclusive show in St. Louis by rock and roll hall of famers Green Day. While this year guaranteed i’ll never see David Bowie or Prince live… I also saw the emergence of Lewis Del Mar, Judah and the Lion and Anderson Paak..

10.14.2016 – Lewis Del Mar at Blueberry Hill Duck Room, St. Louis, MO

These dudes ended up being the top of my most listened to according to Spotify, in spite of the fact that their album didn’t come out until October. When I realized I had an opportunity to see them in the dark basement of Blueberry Hill, class the next morning wasn’t going to stop me.”Loud(y)” was my top song of the year and the eruption from the minute crowd upon hearing it let me know Lewis Del Mar is destined for much bigger venues.

12.4.2016 – Nathaniel Rateliff and the Night Sweats – The Pageant, St. Louis, MO

Stardom looks good on the 38 year old from Hermann, MO. It was clearly a very emotional night with Rateliff avoiding cracking up most of the night, and early on mentioning he didn’t want the evening to go down a darker road. It felt more like a celebration, like a returning champion, though the band calls Denver, CO home now. By the time “S.O.B.” arrived, the crowd was in a fervor that ended in the entire building humming the tracks famous chorus until the band returned to the stage.

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6.22.2016 – Sia – Red Rocks Amphitheater, Morrison, CO

The first of my two prior mentioned Red Rocks shows. It was not a pleasant evening, especially if you weren’t a local who knew. As show time approached a chill swept over the mountain and rain licked the faces of fans. No one was leaving, maybe to the gift shop to buy every blanket and rain jacket they had. Those who waited and laughed at the pure oddness of being shown a preview of BBC nature show “The Hunt”. Even the spokespeople for the event were almost blown offstage. Arrive Sia did, and a performance ensued. I say that word specifically because it was not a concert. Yes, a vocalist performed, and dancers acted out breathtaking scenes, it was beyond what a concert is. There was no front man cracking jokes or doing power fists. There was a shy Australian named Sia Furler hiding at the back and exiting with a meek “thank you”. Coloradans are insanely tough.

10.26.2016 – Green Day – The Pageant, St. Louis, MO

Green Day have never been ones to shy away from a small venue tour. Hell, they go as far as to tour as other bands entirely. This felt special though, in a way that St. Louis doesn’t normally get this kind of show. It was supposed to be the first of the tour, but due to sickness ended up being the last show. Maybe that was for the best as the band were as tight as you can imagine any band being. All of the new songs were great, and extremely well received. The selection of covers are silly and lighthearted, and the politically commentary was sharp. Billy Joe Armstrong lead the crowd in a chant of “No Trump, No KKK, No Fascist USA” only two songs in during “Bang Bang”. The closing combination of “Ordinary World” and “Good Riddance (Time of Your Life)” was surreal, even though the real world came back all too fast.

01.22.16 Tool/Primus, 3.19.16 Cage the Elephant, Silversun Pickups, Foals

I’ll call these two shows, having your cake and eating it too. Normally with bands this large, you either settle for a sub-par opener or perhaps more often none at all. These mega-tours broke that norm early in the year. No band I saw this year was a better live band than Cage the Elephant. The antics may have calmed down a bit, but the band sounds all the better for it, and the lightshow is excellent but not distracting. Tool may be the most perfect sounding live band on the planet. The intensity is doubled somehow live, and after the oddity of Primus, Tool somehow levels everything in you spiritually.

 

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SO far next year we have Red Hot Chili Peppers, Roger Waters, the Flaming Lips, Jay and Silent Bob, Colony House, Guns N Roses (yes, you read that right). Hopefully a return to Bonnaroo as well as Beale Street Music Festival. Fingers crossed for a North American Radiohead tour in the Spring, a A Perfect Circle show somewhere within 6 hours of me and whatever new and crazy things I can discover.

Green Day | 10.26.16

It isn’t very often a band in the Rock and Roll Hall of Fame plays a venue that holds under 2,300 rabid music lovers.  That was the case as Green Day wrapped up their small club tour at The Pageant in St. Louis, MO. The show was supposed to be the first date of the tour, but ended up coming last due to a sickness that forced the band to postpone three dates. Lead singer Billy Joe Armstrong thanked the fans for their patience and said nothing was going to stop them from making the rescheduled gig.

The story starts sometime well before the show though. When a band that size does go on a tour that is designed for the fans, special ticket redemption scenarios are often implemented to keep tickets out of the hands of scalpers. This took the form of a fan club presale that forced ticket buyers to enter the venue only with the credit card they purchased them with. Everyone else in attendance was forced to pick up tickets via the box office on the day of the show.

As the show was kicking off inside with opener Dog Party, hundreds remained in line to get their tickets from the box office, no doubt to the frustration of many. The Sacramento punk two-piece roared through a set worthy of the headliners. The sisters Lucy and Gwendolyn Giles focused on tracks from Til You’re Mine ending with a raucous cover of Bikini Kill track “Rebel Girl” while Green Day drummer Tre Cool danced on stage in a 14889756_10153876897946976_1556539113537330781_o.jpgbunny outfit.

Before Green Day emerged, the crowd came together in a singalong as “Bohemian Rhapsody” blasted over the loud speakers. Once their vocal chords were properly warmed up, Green Day emerged with the only track that would be heard from 21st Century Breakdown, “Know Your Enemy”. The band have never been one to shy away from controversy, and Armstrong came head first at it, calling out Donald Trump to thunderous boos from the crowd.

After that though, Armstrong seemed much more interested in peace and love, calling for the crowd to let the show be their “own personal underground” where they didn’t have to put up with the “bullshit” outside. New songs “Bang Bang”, “Still Breathing”, and “Revolution Radio” all became loud singalongs, which is extremely impressive considering the album came out just two weeks before the show.

“Geek Stink Breath” and “Going to Pasalacqua” both received their first airing in 2016 in the fan-service portion of the show, and the crowd wasn’t quite a receptive, though that might have just been more of a mid-set energy dip.

Closing out the rock portion of the evening were “American Idiot” and “Jesus of Suburbia”. The tracks still feel as relevant as they did in 2004 when the album was released in the heart of the Bush administration, and the album may be one of the best of the aughts.

Sadly, things did have to end after two-and-a-half hours and 30 songs. Armstrong returned to the stage alone with an acoustic guitar to play the excellent new track “Ordinary World” and a staple, “Good Riddance (Time of Your Life)”. It felt bittersweet, yet knowing the band is just beginning its touring cycle is a bit of a relief. However, no arena show will compare with this intimate evening. | Bruce Matlock